Junior Marvin : Police & Thieves


pTIME WARP RADIO SONG OF THE DAY
Thursday August 11 2016
Host : Bart Shore

Police and Thieves (aka “Police and Thief“) is a reggae song first recorded by the falsetto singer Junior Murvin in 1976. It was covered by the punk band The Clash and included on their self-titled debut album released in 1977.

The song was originally written by Junior Murvin. Murvin approached Lee “Scratch” Perryin May 1976 and auditioned the song at Perry’s Black Ark studio; Perry decided to record the song the same afternoon, and decided to alter the lyric slightly. Players on the track included Boris Gardiner (bass), Ernest Ranglin (guitar), Sly Dunbar (drums), Keith Sterling(keyboards), and Joe Cooper (organ), with backing vocals provided by Barry Llewellyn and Earl Morgan of The Heptones.

The next day dub versions were mixed and versions with different lyrics recorded. The song, about gang war and police brutality, was out on the street in a couple of days, backed by The Upsetters’ dub version “Grumbling Dub”, and became a big hit in Jamaica. Released in Jamaica on Federal Records’ Wild Flower subsidiary label (as “Police and Thief”) it was issued in the UK by Island Records in July, and proved to be a bigger sales and club hit in England than in Murvin’s and Perry’s native Jamaica. It was also successful in the US, where it was issued on the Mango label. Island also issued a 12-inch version with Jah Lion’s deejay version “Soldier and Police War”, and Glen DaCosta’ssaxophone version “Magic Touch” added.

It was named ‘Reggae Single of the Year’ by Black Echoes, and placed sixth in the NMEs end of year singles chart. The song was included as the title track on Murvin’s 1977 album.

The song became an anthem in the UK in 1976 as the Notting Hill Carnival erupted into a riot. Joe Strummer and Paul Simonon of the Clash were involved in the rioting, which inspired them to cover the song on their debut album, in a style that they called ”punk reggae’, not ‘white reggae”.

Murvin’s version became a Top 30 UK hit in 1980, peaking at no. 23. It appeared in Ted Bafaloukos’ 1978 film Rockers, and also in Guy Ritchie’s 1998 film Lock, Stock and Two Smoking Barrels .

Murvin also recorded “Bad Weed” on the same rhythm with different lyrics.

The song has since been re-recorded by Murvin several times; A digital version appeared on a 1987 single produced by Prince Jammy, an acoustic version was included on the 2007 album Inna de Yard, and a new version was released in 2008 on a Ralston Brown-produced single.

The English punk rock band Clash’s punk/reggae version appeared on their eponymousdebut album. The Clash’s version, which is six minutes in length, is an example of a rock band incorporating reggae into their repertoire. Murvin’s first commentary was “They have destroyed Jah work!”.

The song had been a rehearsal room favourite of the band. It had not originally been planned for inclusion on The Clash, but an impromptu version the band started playing during a break in a recording session, spurred the decision to finalize their own arrangement, record it, and include the finished article on their album.

In the beginning of the song, Joe Strummer reinterprets the line “They’re going through a tight wind” as a tribute to The Ramones, already an established American punk band and an influence on The Clash. The lyric line appears in the Ramones’ “Blitzkrieg Bop”.

Perry considered that the Clash had “ruined” the song with their version, but later agreed to work with the band nonetheless.

The song also appears on the soundtrack for the Wes Anderson film, The Royal Tenenbaums, and in the Reno 911!: Miami movie where it is performed by Dave Grohl, who is listed in the credits under the pseudonym “Sprechen Sie Deutsch”.

Several other versions have been recorded, including several on tribute albums to the Clash.

Wiki ]

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